MEASURE FOR MEASURE

"[...] It's not just the story that makes this production of “Measure for Measure” relevant. Prostitutes, pimps, and cops swagger about the set dressed in crushed velvet, bell bottoms, platform boots, animal print, and fedoras (delightful costumes by Amanda Lifvendahl) designed by Edward T. Morris to look like a seedy New York City street scene in the 1970s, complete with tagged exposed brick, a subway entrance, a filthy stoop, a fire escape, and more—with lights by Nicklas Casella and sound by Emily Duncan Wilson to effectively complete the picture."  - Marin Heinritz (Revue WM)